Children's literature is the main aesthetic acceptance of different groups of adults - children. 儿童特殊的年龄阶段，决定了其特殊的生理和心理发展规律。 Special children's age, determine its special physical and mental development of the law. 他们观察世界、体验生活的看法、想法和成人有相当大的差别，自有其独特的个性特点、情感世界和精神追求。 They observe the world and life experience, ideas and adults are considerable differences in its own unique personality characteristics, emotional and spiritual pursuit of the world. 这就是“童心”的本质。 This is the "heart" of the essence. 而就儿童文学而言，“童心”是无可取代的。 And on children's literature, the "heart" is irreplaceable. 尤其是儿童的纯真乐观、想入非非、强烈追求新奇冒险、喜欢探索、玩乐等天性，鲜明地呈现着人类心灵深处的原始情节与思维特征，而其轻松、快乐、自由的内核则归于“游戏精神”。 In particular, is optimistic about the innocent children, indulged, the strong pursuit of adventure novel, like to explore, play nature, and so on, clearly showed the depths of the human mind and thinking characteristics of the original plot, and its relaxed, happy, free of the core is attributed to the "game Spirit. " 游戏精神已成为儿童文学最重要的美学特征和审美基准。 The spirit of the game has become the most important children's literature aesthetics and aesthetic characteristics of the base. 纵观世界范围内优秀的儿童文学作品，如林格伦的《长袜子皮皮》、詹姆斯.巴比的《彼得.潘》、刘易斯.卡罗尔的《爱丽丝漫游奇遇记》等，无不渗透着浓郁的游戏精神。 Taking a panoramic view of the world's best children's literature, such as Lindgren's "Pippi Longstocking", James. Bobby "Peter. Pan," Lewis. Carroll's "Alice in mind Adventure" Are permeated with a strong spirit of the game. 这一文化特征使儿童文学作品的“童心”跳跃，抛弃了以往作品过于沉重的内涵，拜托负载过多的成人观念与思想，具有了“赏心悦目”的审美功效，从而激发了儿童读者心理的积极投入，与作品及作者进行对话，因而更深入、持久的起着审美教育作用。 The cultural identity of children's literature "heart" jump, abandoned the work in the past too heavy content, please load too many adult concepts and ideas, with a "feast for the eyes," aesthetic efficacy in order to stimulate a child's positive psychological readers Inputs, and works with the author of the dialogue and thus a more in-depth, long-lasting aesthetic education plays a role.
不要用翻译软件谢谢！ Do not use translation software Thank you!